an ode to the used
I wrote a poem, cus sometimes a poem is the framework.



I came in Black and woman and wanting which is three too many things for a Tuesday and I learned early that being this costs more than I was given at the start there is enough extraction, erasure, holy expectation in any given institution on any given day to hollow out a woman completely and call it opportunity and enough of me to exhaust everybody and I have. I got it out the mud and came up filthy
beware the woman who survived she has learned things about herself she did not want to know beware the allies beware the sponsors beware those who cite your name in the footnote and take the podium beware what you become in order to become anything I am so tired of being something that has to be reckoned with the one who keeps showing up the one who explains the one who makes herself smaller and harder and quieter and still took up too much room and when I say I’m not built for this our forgetting will be perfect like a policy like a performance review like a picture that’s enough bullshit for one day
FURTHER READING
harvest of hurt
·
I was listening to Kendrick Lamar’s song “Opposites Attract,” which dives into the paradoxes of love and hurt, and it got me thinking about my recent essay on my complicated relationship with my dad. In the spirit of Lamar’s raw and introspective style, I’ve crafted a poem that mirrors the conversational theme.
© Soulwork is a labor of love and a lot of late nights in the archives. If this work added value to your week, you can Buy Me A Book here.





“beware those who cite your name in the footnote
and take the podium”
That’s a line! 👏